![]() It is like smoke or a dark gray, and is sometimes referred to as charcoal. This was a late color, still being produced at the time of Heisey’s closing at the end of 1957. The 3 ponies and the plug horse are rarely seen in Cobalt. Cobalt pieces can be found in the pressed-ware patterns of #1401 Empress, #1404 Old Sandwich, #1405 Ipswich, and #1425 Victorian Blown-ware accessery items include favor vases and ball vases. Cobalt stem items are found in #3359 Plateau, #3390 Carcassonne, #3397 Gascony, #3404 Spanish, #3408 Jamestown, and #4044 New Era. Heisey sometimes referred to Cobalt as “Stiegel Blue.” Cobalt is, as the name implies, a very deep shade of blue.It was used for numerous items, including the #110 dolphin candlestick, the #135 and #141 candlesticks, and the #301 candelabra. Items found in this later Canary tend to be paler and subtler in color. The pieces will usually be accessories, such as vases and compotes. Pieces from this era tend to be bright yellow in color.The color was reissued in a limited supply after 1922 and may be found in #465 Recessed Panel, #351 Priscilla, #473 Narrow Flute with Rim, #451 Cross Lined Flute, #1184 Yeoman, and #1020 cream and sugar. This glass will glow bright yellow under a black light.Because Canary is an early color, known pieces are of the earlier patterns of #150 Pointed Oval in Diamond Point, #1280 Winged Scroll, #160 Locket on Chain. Sherbet.Ĭanary and Vaseline are the same greenish-yellow, referred to as “Canary” by Heisey and as “Vaseline” by collectors. Goblet, #1435 Individual Ash Tray, #3368 Albemarle 5 oz. It is in extremely limited supply.Though not as limited as black, any of the following are items in Trial Blue would be a good find: #4085 Kohinoor 9 oz. This color is similar to some shades of Limelight or Zircon, but it has more of a blue tint. Pastel blue is thought to be an experimental color made for special orders or testing on the market. They include the #351 Priscilla Oval Mayonnaise Underplate, the #1540 Lariat 8″ salad Plate, and a few pieces of #1637A Town & Country. There are also some stemware lines that have amber bowls or stems.īlack opaque was an experimental color and was never expanded for consumer use.Only a very few items were ever made in black, and to have one in your collection would be quite a find. ![]() Amber was not run continually, but was brought back as orders warranted.In later years it was made a production color for a very short time, it was somewhat darker and called “Sultana.” Several of the Heisey animals were made in amber and are very desirable. Much Amber was made for Fred Harvey, both for railroad and restaurant use. This color was produced periodically during the lifetime of the Heisey company. Other items were produced in Alexandrite, but the ones mentioned above are the most common in this color. A special beauty is the #1000 marmalade jar. In addition, assorted vases, candlesticks, and the #301 candelabra were manufactured in Alexandrite. Alexandrite pressed-ware pieces were available in #1401 Empress, with a few pieces of #1252 Twist and #1184 Yeoman also being made. The Heisey Alexandrite, however, contained a bit more pink.Stemware patterns made in beautiful Alexandrite were #3380 Old Dominion, #3381 Creole, and #3390 Carcassonne. For example, Cambridge issued a Heatherbloom and Fostoria made Wisteria. ![]() Other companies produced colors similar to Alexandrite. Hawthorne is somewhat darker than Alexandrite and can be distinguished either by the black light or by placing the two colors side by side on a white background. Under a florescent light, Alexandrite turns blue–Hawthorne does not. Alexandrite is lavender, similar to the Alexandrite stone, which has a blue hue under certain light conditions. Alexandrite is often confused with Hawthorne, another Heisey color. This color was described in the national magazines as being tinted like some rare orchid petal, a dainty, tantalizing purple.
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